Abstract
This essay argues that the life and music of Louis Armstrong challenged mainstream American values and attacked racial hierarchy. In his lifestyle Armstrong pursued a carnivalesque celebration of bodily pleasure at the expense of the Protestant ethic. In addition, his concerts created utopian moments that united black and white listeners in the enjoyment of music. Finally, Armstrong's music represented an assertion of blackness and individuality in a racist society, bringing African American elements to the center of American music.
| Original language | American English |
|---|---|
| Journal | Polity |
| Volume | 34 |
| State | Published - Apr 1 2002 |
Disciplines
- American Popular Culture
- Other Music
- Political Science