Abstract
In the twentieth century painters, playwrights, and novelists began to produce non-representational works that eschewed narrative and were entirely devoted to an achromatic colorscape. Uncharted Space: The End of Narrative overturns critical exegesis that interprets these works as negative or as the «end» of art by offering a new way to think about and to articulate works devoid of narrative and color. When understood from a different critical perspective, art and literature produced at the end of narrative challenge our traditional ways of interpreting all art production.
Nominated for Rene Wellek Prize, American Comparative Literature Association
| Original language | American English |
|---|---|
| State | Published - Dec 1 2001 |
Keywords
- philosophy
- representation
- narration
- rhetoric
- philosophy of art
- modern aesthetics
- literature and art
- visual arts
Disciplines
- Comparative Literature
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